{"id":76689,"date":"2023-03-04T17:06:34","date_gmt":"2023-03-04T13:06:34","guid":{"rendered":"https:\/\/georgia-gruzia.com\/tr\/gurcistan-hakkinda-sovyet-filmleri\/"},"modified":"2023-03-04T17:06:34","modified_gmt":"2023-03-04T13:06:34","slug":"gurcistan-hakkinda-sovyet-filmleri","status":"publish","type":"post","link":"https:\/\/georgia-gruzia.com\/tr\/gurcistan-hakkinda-sovyet-filmleri\/","title":{"rendered":"G\u00fcrcistan hakk\u0131nda Sovyet filmleri"},"content":{"rendered":"<ul>\n<li><a href=\"#\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0435_\u0444\u0438\u043b\u044c\u043c\u044b_\u043e_\u0433\u0440\u0443\u0437\u0438\u0438\">G\u00fcrcistan hakk\u0131nda Sovyet filmleri<\/a><\/li>\n<li><a href=\"#\u041e\u0431\u0437\u043e\u0440_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432,_\u0441\u043d\u044f\u0442\u044b\u0445_\u0432_\u0413\u0440\u0443\u0437\u0438\u0438:_\u0420\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u044b\u0439_\u0432\u0437\u0433\u043b\u044f\u0434_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u0443\u044e_\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0443_\u0438_\u0438\u0441\u0442\u043e\u0440\u0438\u044e\">G\u00fcrcistan&#8217;da Yap\u0131lan Sovyet Filmlerine Genel Bak\u0131\u015f: G\u00fcrc\u00fc K\u00fclt\u00fcr\u00fc ve Tarihine Retrospektif Bir Bak\u0131\u015f<\/a><\/li>\n<li><a href=\"#\u0418\u0437\u0443\u0447\u0435\u043d\u0438\u0435_\u0432\u043b\u0438\u044f\u043d\u0438\u044f_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439_\u0432\u043b\u0430\u0441\u0442\u0438_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u043e\u0435_\u043a\u0438\u043d\u043e_\u0447\u0435\u0440\u0435\u0437_\u043f\u043e\u0434\u0431\u043e\u0440\u043a\u0443_\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432\">Sovyet otoritelerinin G\u00fcrc\u00fc sinemas\u0131 \u00fczerindeki etkisini \u00fcnl\u00fc filmlerden bir se\u00e7ki arac\u0131l\u0131\u011f\u0131yla ke\u015ffetmek<\/a><\/li>\n<li><a href=\"#\u0417\u043d\u0430\u043a\u043e\u0432\u044b\u0435_\u0440\u0435\u0436\u0438\u0441\u0441\u0435\u0440\u044b,_\u0441\u0442\u043e\u044f\u0449\u0438\u0435_\u0437\u0430_\u043b\u0443\u0447\u0448\u0438\u043c\u0438_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u043c\u0438_\u0444\u0438\u043b\u044c\u043c\u0430\u043c\u0438_\u043e_\u0413\u0440\u0443\u0437\u0438\u0438\">G\u00fcrcistan hakk\u0131ndaki en iyi Sovyet filmlerinin arkas\u0131ndaki \u00fcnl\u00fc y\u00f6netmenler<\/a><\/li>\n<li><a href=\"#\u041a\u0430\u043a_\u0434\u0435\u0441\u044f\u0442\u0438\u043b\u0435\u0442\u0438\u044f_\u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445_\u043f\u043e\u0442\u0440\u044f\u0441\u0435\u043d\u0438\u0439_\u043f\u043e\u0432\u043b\u0438\u044f\u043b\u0438_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u043e\u0435_\u043a\u0438\u043d\u043e_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439_\u044d\u043f\u043e\u0445\u0438\">On y\u0131llar s\u00fcren siyasi \u00e7alkant\u0131lar Sovyet d\u00f6nemi G\u00fcrc\u00fc sinemas\u0131n\u0131 nas\u0131l etkiledi?<\/a><\/li>\n<li><a href=\"#\u0418\u0437\u0443\u0447\u0435\u043d\u0438\u0435_\u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0445_\u0434\u0440\u0430\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432,_\u0441\u043d\u044f\u0442\u044b\u0445_\u0432_\u0413\u0440\u0443\u0437\u0438\u0438\">G\u00fcrcistan&#8217;da \u00e7ekilen Sovyet dramatik filmlerinin miras\u0131n\u0131 ke\u015ffetmek<\/a><\/li>\n<\/ul>\n\n<h1>Sovyet D\u00f6nemi G\u00fcrc\u00fc Sinemas\u0131n\u0131n Miras\u0131n\u0131 Ke\u015ffetmek: Efsanevi Film Yap\u0131mc\u0131lar\u0131na ve G\u00fcrcistan&#8217;da \u00c7ekilen Filmlere Retrospektif Bir Bak\u0131\u015f<\/h1>\n<h2 id=\"\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0435_\u0444\u0438\u043b\u044c\u043c\u044b_\u043e_\u0433\u0440\u0443\u0437\u0438\u0438\">g\u00fcrci\u0307stan hakkinda sovyet fi\u0307lmleri\u0307<\/h2>\n<p><a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\"   title=\"G\u00fcrcistan\" data-wpil-keyword-link=\"linked\">G\u00fcrcistan<\/a> zengin bir film yap\u0131m ge\u00e7mi\u015fine sahiptir. Sovyetler Birli\u011fi&#8217;nin d\u00f6rt bir yan\u0131ndan film yap\u0131mc\u0131lar\u0131n\u0131n G\u00fcrcistan&#8217;\u0131 hikayeleri ve karakterleri i\u00e7in fon olarak kulland\u0131\u011f\u0131 sineman\u0131n ilk g\u00fcnlerinden g\u00fcn\u00fcm\u00fcz G\u00fcrc\u00fc filmlerine kadar, Kafkasya b\u00f6lgesinin bu k\u00f6\u015fesinde harika filmlerin say\u0131s\u0131 hi\u00e7 de az de\u011fil.<\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n<p>Etkileyici y\u00f6netmen Sergei Paradjanov <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/goroda\/tbilisi\/\"   title=\"Tiflis\" data-wpil-keyword-link=\"linked\">Tiflis<\/a>, G\u00fcrcistan ve etkisi G\u00fcrc\u00fc sinemas\u0131n\u0131n her yerinde g\u00f6r\u00fclebilir. En iyi bilinen filmlerinden biri, G\u00fcrc\u00fc mitolojisi ve folklorunun g\u00f6rsel bir temsilini sunma giri\u015fimi olan Narlar\u0131n Rengi (1969) idi. Paradzhanov&#8217;un en iyi i\u015flerinden biri olmaya devam eden \u00e7arp\u0131c\u0131 g\u00f6rsellere sahip g\u00fczel bir film.<\/p>\n\n\n<pre class=\"wp-block-preformatted has-ast-global-color-4-color has-vivid-red-background-color has-text-color has-background has-medium-font-size\">G\u00fcrc\u00fc sinemas\u0131n\u0131n bir di\u011fer \u00f6nemli ismi de The Windy Fall (1981) ve My English Grandfather (1985) gibi ele\u015ftirmenlerce be\u011fenilen filmlerin y\u00f6netmeni Eldar Shengelaya'd\u0131r. \u00c7al\u0131\u015fmalar\u0131 genellikle G\u00fcrcistan'daki k\u0131rsal ya\u015fama odaklanm\u0131\u015f ve aile ili\u015fkileri, gelenek ve k\u00fclt\u00fcr gibi temalar\u0131 incelemi\u015ftir.<\/pre>\n\n\n\n<figure class=\"wp-block-pullquote has-small-font-size\"><blockquote><p>Yak\u0131n zamanda G\u00fcrc\u00fc sinemac\u0131lar In Bloom (2013), Home of Others (2016), The New Life of Gogita (2017) ve My Happy Family (2017) gibi filmlerle uluslararas\u0131 film sahnesinde adlar\u0131ndan s\u00f6z ettirdiler. Bu filmler toplumsal cinsiyet kimli\u011fi, sosyal d\u0131\u015flanma ve ekonomik zorluklar gibi g\u00fcncel konular\u0131 ger\u00e7ek\u00e7i drama veya komedi yoluyla ele al\u0131yor. Bunlar G\u00fcrc\u00fc sinemas\u0131n\u0131n Sovyet k\u00f6klerinden ne kadar uzakla\u015ft\u0131\u011f\u0131n\u0131 g\u00f6steren g\u00fc\u00e7l\u00fc eserlerdir.<\/p><\/blockquote><\/figure>\n\n\n<p>Sonu\u00e7 olarak, bug\u00fcn G\u00fcrcistan&#8217;dan \u00e7\u0131kan yetenek zenginli\u011finde hayran olunacak \u00e7ok \u015fey var. Bu k\u00fc\u00e7\u00fck \u00fclkenin d\u00fcnyaya sunabilece\u011fi e\u015fsiz bir \u015fey oldu\u011fu a\u015fikar &#8212; mizah, kalp a\u011fr\u0131s\u0131 ve insanl\u0131k dolu hikayeler, izleyicileri y\u0131llarca b\u00fcy\u00fclemeye devam edecek.<\/p>\n\n\n<figure class=\"wp-block-image aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/georgia-gruzia.com\/wp-content\/uploads\/2023\/01\/sovetskie-filmy-o-gruzii_2.jpg\" alt=\"G\u00fcrcistan hakk\u0131nda Sovyet filmleri\" width=\"623\" height=\"623\" title=\"G\u00fcrcistan hakk\u0131nda Sovyet filmleri\"\/><\/figure>\n\n\n<h2 id=\"\u041e\u0431\u0437\u043e\u0440_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432,_\u0441\u043d\u044f\u0442\u044b\u0445_\u0432_\u0413\u0440\u0443\u0437\u0438\u0438:_\u0420\u0435\u0442\u0440\u043e\u0441\u043f\u0435\u043a\u0442\u0438\u0432\u043d\u044b\u0439_\u0432\u0437\u0433\u043b\u044f\u0434_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u0443\u044e_\u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0443_\u0438_\u0438\u0441\u0442\u043e\u0440\u0438\u044e\">G\u00fcrcistan&#8217;da Yap\u0131lan Sovyet Filmleri \u00dczerine Bir \u0130nceleme: G\u00fcrc\u00fc K\u00fclt\u00fcr\u00fc ve Tarihine Retrospektif Bir Bak\u0131\u015f<\/h2>\n<p>G\u00fcrcistan&#8217;da ge\u00e7en Sovyet filmleri dendi\u011finde \u00e7o\u011fu insan\u0131n akl\u0131na ilk olarak klasik komedi-drama Mimino gelir. 1977&#8217;de g\u00f6sterime giren film, Mimino adl\u0131 G\u00fcrc\u00fc bir helikopter pilotunun i\u015f ve macera aray\u0131\u015f\u0131yla Kafkas da\u011flar\u0131ndan Moskova&#8217;ya uzanan yolculu\u011funu anlat\u0131yor. Komedi unsurlar\u0131na ra\u011fmen, geleneksel de\u011ferlere ve geleneklere vurgu yaparak G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fc ve tarihi \u00fczerine bir \u00e7al\u0131\u015fma niteli\u011fi de ta\u015f\u0131yor. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n<p>Mimino, G\u00fcrcistan&#8217;da ge\u00e7en en \u00fcnl\u00fc Sovyet filmlerinden biri olsa da, bu d\u00f6nemde g\u00f6sterime giren G\u00fcrc\u00fc temal\u0131 filmlerin pek \u00e7ok ba\u015fka \u00f6rne\u011fi de var. Romantik komedilerden tarihi destanlara kadar bu filmler, o d\u00f6nemde \u00fclkedeki ya\u015fama dair benzersiz bir bak\u0131\u015f a\u00e7\u0131s\u0131 sunuyor. Burada G\u00fcrcistan&#8217;da ge\u00e7en en pop\u00fcler ve \u00f6nemli Sovyet filmlerinden baz\u0131lar\u0131n\u0131 inceleyece\u011fiz. <\/p>\n<p>&#171;Paths of Glory&#187; (1959) ile ba\u015flayan bu destans\u0131 sava\u015f dram\u0131, G\u00fcrcistan&#8217;da i\u015fgalci g\u00fc\u00e7lere kar\u015f\u0131 anavatanlar\u0131 i\u00e7in sava\u015fan bir grup gen\u00e7 askerin hikayesini anlat\u0131yor <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/gruziya\/\"   title=\"zaman\" data-wpil-keyword-link=\"linked\">zaman<\/a> D\u00fcnya Sava\u015f\u0131. Film, canl\u0131 sava\u015f sahnelerinin yan\u0131 s\u0131ra vatanseverlik ve zorluklar kar\u015f\u0131s\u0131ndaki cesareti tasvir etmesiyle de dikkat \u00e7ekiyor. <\/p>\n\n\n<pre class=\"wp-block-preformatted has-ast-global-color-4-color has-vivid-red-background-color has-text-color has-background has-medium-font-size\">Bir ba\u015fka klasik \u00f6rnek de Suram Kalesi Efsanesi'dir (1984). Eski bir G\u00fcrc\u00fc halk masal\u0131na dayanan bu macera fantezisi, Surami kalesinde sakl\u0131 b\u00fcy\u00fcl\u00fc bir silah\u0131 bularak k\u00f6ylerini k\u00f6t\u00fc bir b\u00fcy\u00fcc\u00fcden kurtarmaya \u00e7al\u0131\u015fan iki kahraman karde\u015fin hikayesini anlat\u0131yor. Film, g\u00fczel sinematografisi ve besteci Giya Kancheli'nin b\u00fcy\u00fcleyici m\u00fczikleriyle \u00f6vg\u00fc toplad\u0131. <\/pre>\n\n\n<blockquote>\n<p>Uzun metrajl\u0131 filmlerin yan\u0131 s\u0131ra bu d\u00f6nemde G\u00fcrcistan&#8217;daki ya\u015fam\u0131 konu alan \u00e7ok say\u0131da k\u0131sa belgesel de \u00e7ekilmi\u015ftir. Kakheti&#8217;de Bir K\u00f6yl\u00fc Ailesinin Ya\u015fam\u0131 (1970) buna bir \u00f6rnektir. Bu belgesel, yerel halkla yap\u0131lan r\u00f6portajlar ve Kakheti eyaletinin \u00e7e\u015fitli k\u00f6ylerinde \u00e7ekilen kapsaml\u0131 g\u00f6r\u00fcnt\u00fcler arac\u0131l\u0131\u011f\u0131yla Do\u011fu G\u00fcrcistan&#8217;daki k\u0131rsal ya\u015fam\u0131n samimi bir portresini sunuyor.<\/p>\n<\/blockquote>\n\n<p>Son olarak, Tiflis Geceleri (1982) ve Youth Finds Its Way (1977) gibi G\u00fcrcistan&#8217;da ge\u00e7en ve g\u00fcn\u00fcm\u00fczde de pop\u00fclerli\u011fini koruyan birka\u00e7 Sovyet m\u00fczikali bulunmaktad\u0131r. Her iki film de renkli ve d\u00f6nemin G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fcn\u00fcn \u00f6z\u00fcn\u00fc yakalayan unutulmaz m\u00fczik besteleri i\u00e7eriyor. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><\/center>\n<p>Sonu\u00e7 olarak bu filmler, gelenekler \u00fczerine ku\u015faklar aras\u0131 \u00e7at\u0131\u015fmalardan yoksulluk ve dayan\u0131kl\u0131l\u0131k aras\u0131ndaki g\u00fcnl\u00fck m\u00fccadelelere kadar Sovyet d\u00f6nemi G\u00fcrc\u00fc toplumuna a\u00e7\u0131lan paha bi\u00e7ilmez bir pencere i\u015flevi g\u00f6r\u00fcyor ve bug\u00fcn bile hepimize bu b\u00fcy\u00fcleyici \u00fclkeyi \u00e7ok daha iyi anlamam\u0131z\u0131 sa\u011fl\u0131yor<\/p>\n<h2 id=\"\u0418\u0437\u0443\u0447\u0435\u043d\u0438\u0435_\u0432\u043b\u0438\u044f\u043d\u0438\u044f_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439_\u0432\u043b\u0430\u0441\u0442\u0438_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u043e\u0435_\u043a\u0438\u043d\u043e_\u0447\u0435\u0440\u0435\u0437_\u043f\u043e\u0434\u0431\u043e\u0440\u043a\u0443_\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u044b\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432\">Sovyet rejiminin G\u00fcrc\u00fc sinemas\u0131 \u00fczerindeki etkisini tan\u0131nm\u0131\u015f filmlerden bir se\u00e7ki arac\u0131l\u0131\u011f\u0131yla inceliyor<\/h2>\n<p>Sovyetler Birli\u011fi, G\u00fcrcistan&#8217;\u0131 1921&#8217;den 1991&#8217;e kadar neredeyse yetmi\u015f y\u0131l boyunca i\u015fgal alt\u0131nda tuttu. Bu d\u00f6nemin G\u00fcrc\u00fc sinemas\u0131 \u00fczerinde derin bir etkisi olmu\u015f, d\u00f6nemin en etkili filmlerinden baz\u0131lar\u0131 Sovyet y\u00f6netimi alt\u0131ndaki ya\u015fam\u0131n m\u00fccadelelerini ve ger\u00e7eklerini yans\u0131tm\u0131\u015ft\u0131r. Mikhail Kalatozov&#8217;un The Cranes Are Flying (1957) filmi gibi erken d\u00f6nem eserlerden Tengiz Abuladze&#8217;nin Repentance (1987) filmi gibi daha yak\u0131n d\u00f6nem filmlere kadar G\u00fcrc\u00fc sinemac\u0131lar <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/kultura\/\"   title=\"sanat\" data-wpil-keyword-link=\"linked\">sanat<\/a>, Sovyet sistemi ve bunun toplum \u00fczerindeki etkisi hakk\u0131ndaki g\u00f6r\u00fc\u015flerini ifade etmek.<\/p>\n<p>Turnalar U\u00e7arken, 1943 y\u0131l\u0131nda Almanya&#8217;n\u0131n Rusya&#8217;y\u0131 i\u015fgali s\u0131ras\u0131nda ge\u00e7en bir sava\u015f zaman\u0131 travmas\u0131 \u00e7al\u0131\u015fmas\u0131d\u0131r. Kalatozov, canl\u0131 g\u00f6r\u00fcnt\u00fcler ve duygusal a\u00e7\u0131dan yo\u011fun performanslar\u0131n bir araya gelmesiyle, hayat\u0131n s\u00fcrekli olarak \u015fiddetle kesintiye u\u011frad\u0131\u011f\u0131 bir d\u00fcnyada a\u015fk ve kayb\u0131n bir portresini \u00e7iziyor. Unutulmaz sahnelerden birinde, ya\u015fl\u0131 bir \u00e7ift, Rus askerleri s\u0131ra halinde yanlar\u0131ndan ge\u00e7erken k\u00f6pr\u00fcde el ele y\u00fcr\u00fcyor &#8212; o d\u00f6nemde pek \u00e7ok G\u00fcrc\u00fcn\u00fcn hissetti\u011fi \u00e7aresizli\u011fi ve \u00e7aresizli\u011fi yans\u0131tan g\u00fc\u00e7l\u00fc bir g\u00f6r\u00fcnt\u00fc. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n<p>Tengiz Abuladze&#8217;nin T\u00f6vbe filmi de Sovyet y\u00f6netimi alt\u0131ndaki ya\u015fam\u0131 anlatan bir ba\u015fka film. Nikolai Gogol&#8217;un \u00d6l\u00fc Canlar adl\u0131 roman\u0131ndan uyarlanan oyun, Varlam Aravidze&#8217;nin kurgusal G\u00fcrc\u00fc kasabas\u0131nda otuz y\u0131l s\u00fcren diktat\u00f6rl\u00fc\u011f\u00fcn\u00fc anlat\u0131yor. Abuladze film boyunca kara mizah ve s\u00fcrrealist \u00f6\u011feler kullanarak bask\u0131, konformizm ve totalitarizm gibi Sovyet rejimi s\u0131ras\u0131nda ciddi \u015fekilde sans\u00fcrlenen ancak yine de bask\u0131c\u0131 bir rejim alt\u0131nda ya\u015fayan G\u00fcrc\u00fcler i\u00e7in ge\u00e7erli olan temalar\u0131 i\u015fliyor. <\/p>\n\n\n<p class=\"has-drop-cap has-ast-global-color-4-background-color has-background\">Turnalar U\u00e7arken ve T\u00f6vbe filmlerinde izleyiciler, G\u00fcrc\u00fc sinemac\u0131lar\u0131n Sovyet y\u00f6netimi alt\u0131ndaki ya\u015fam hakk\u0131nda geleneksel yollarla ifade edilemeyen d\u00fc\u015f\u00fcncelerini ifade etmek i\u00e7in sanatlar\u0131n\u0131 nas\u0131l kulland\u0131klar\u0131n\u0131 g\u00f6rebilirler. Bu iki film, zorluk ve bask\u0131 d\u00f6nemlerinde bile yarat\u0131c\u0131l\u0131\u011f\u0131n toplum hakk\u0131nda y\u0131llar boyunca film yap\u0131mc\u0131lar\u0131n\u0131n nesillerine ilham verecek anlaml\u0131 ifadeler yaratmak i\u00e7in kullan\u0131labilece\u011fini g\u00fc\u00e7l\u00fc bir \u015fekilde hat\u0131rlat\u0131yor.<\/p>\n\n\n<h2 id=\"\u0417\u043d\u0430\u043a\u043e\u0432\u044b\u0435_\u0440\u0435\u0436\u0438\u0441\u0441\u0435\u0440\u044b,_\u0441\u0442\u043e\u044f\u0449\u0438\u0435_\u0437\u0430_\u043b\u0443\u0447\u0448\u0438\u043c\u0438_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u043c\u0438_\u0444\u0438\u043b\u044c\u043c\u0430\u043c\u0438_\u043e_\u0413\u0440\u0443\u0437\u0438\u0438\">G\u00fcrcistan hakk\u0131ndaki en iyi Sovyet filmlerinin arkas\u0131ndaki ikonik y\u00f6netmenler <\/h2>\n\n\n<pre class=\"wp-block-verse\" style=\"font-style:normal;font-weight:100\">Sovyetler Birli\u011fi, insanl\u0131k tarihinin en b\u00fcy\u00fck filmlerinden baz\u0131lar\u0131n\u0131n yarat\u0131ld\u0131\u011f\u0131 merkez olmu\u015ftur. Karadeniz ve Kafkas Da\u011flar\u0131 aras\u0131nda k\u00fc\u00e7\u00fck bir \u00fclke olan G\u00fcrcistan, bu klasik filmlerden pay\u0131na d\u00fc\u015feni alm\u0131\u015ft\u0131r. Bu filmlerin \u00e7o\u011fu, sinema tarihinin en \u00fcnl\u00fc y\u00f6netmenlerinden baz\u0131lar\u0131 taraf\u0131ndan y\u00f6netildi ve yeteneklerini G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fc ve toplumu hakk\u0131nda farkl\u0131 hikayeler anlatmak i\u00e7in kulland\u0131lar. <\/pre>\n\n\n<p>G\u00fcrcistan&#8217;\u0131n en \u00fcnl\u00fc y\u00f6netmenlerinden biri Tengiz Abuladze. G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fc ve geleneklerine adanm\u0131\u015f bir \u00fc\u00e7leme yaratt\u0131: The Wishing Tree (1977), Monaniba (1984) ve Molba (1988). Filmleri, Sovyet sinemas\u0131n\u0131n din ve ahlak gibi konular \u00fczerine yapt\u0131\u011f\u0131 en iyi \u00e7al\u0131\u015fmalardan baz\u0131lar\u0131 olarak kabul edilir. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n\n\n<pre class=\"wp-block-verse\" style=\"font-style:normal;font-weight:100\">Otar Iosseliani - \u00e7al\u0131\u015fmalar\u0131 genellikle G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fcne odaklanan bir ba\u015fka y\u00f6netmen. 9 Nisan (1975) adl\u0131 filmi, \u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda i\u015fgal alt\u0131ndaki G\u00fcrcistan'da b\u00fcy\u00fcyen bir \u00e7ocu\u011fun hikayesini anlat\u0131r. Iosseliani'nin \u00f6d\u00fcll\u00fc filmi Shantrapa (1970) da dahil olmak \u00fczere di\u011fer \u00e7al\u0131\u015fmalar\u0131 da b\u00fcy\u00fck \u00f6l\u00e7\u00fcde anavatan\u0131nda g\u00fcnl\u00fck ya\u015famla ilgili temalara odaklanmaktad\u0131r. <\/pre>\n\n\n<p>Kote Mikaberidze &#8212; filmlerinde G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fcn\u00fc inceleyen bir ba\u015fka y\u00f6netmen. The Mamluks of Ertmanetsi (1960) ve Mzarmobeli Kakhuri (1968) gibi \u00e7e\u015fitli komediler yazd\u0131 ve y\u00f6netti. Bu ne\u015feli filmler, G\u00fcrcistan&#8217;\u0131n k\u0131rsal kesimindeki g\u00fcndelik hayata mizahi bak\u0131\u015flar\u0131 nedeniyle izleyiciler taraf\u0131ndan \u00e7ok sevildi. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fas fa-mountain-sun fa-3x\"><\/i><\/span><\/center>\n<p>Bu \u00fc\u00e7 ikonik film yap\u0131mc\u0131s\u0131, zanaatlar\u0131n\u0131 G\u00fcrc\u00fc k\u00fclt\u00fcr\u00fc hakk\u0131nda d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki izleyicilerde yank\u0131 uyand\u0131racak \u015fekilde hikayeler anlatmak i\u00e7in kulland\u0131lar ve onlar\u0131 Sovyet sinema tarihinin \u00f6nemli fig\u00fcrleri haline getirdiler. Onlar\u0131n katk\u0131lar\u0131, \u00f6l\u00fcmlerinden sonra bile sanatlar\u0131 arac\u0131l\u0131\u011f\u0131yla ne\u015fe ve anlay\u0131\u015f getirerek sonraki nesiller taraf\u0131ndan hat\u0131rlanacakt\u0131r.<\/p>\n<h2 id=\"\u041a\u0430\u043a_\u0434\u0435\u0441\u044f\u0442\u0438\u043b\u0435\u0442\u0438\u044f_\u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445_\u043f\u043e\u0442\u0440\u044f\u0441\u0435\u043d\u0438\u0439_\u043f\u043e\u0432\u043b\u0438\u044f\u043b\u0438_\u043d\u0430_\u0433\u0440\u0443\u0437\u0438\u043d\u0441\u043a\u043e\u0435_\u043a\u0438\u043d\u043e_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u043e\u0439_\u044d\u043f\u043e\u0445\u0438\">On y\u0131llar s\u00fcren siyasi \u00e7alkant\u0131lar Sovyet d\u00f6nemi G\u00fcrc\u00fc sinemas\u0131n\u0131 nas\u0131l etkiledi? <\/h2>\n\n\n<p class=\"has-drop-cap has-ast-global-color-4-background-color has-background\">G\u00fcrcistan&#8217;\u0131n 1921 y\u0131l\u0131nda Sovyetler Birli\u011fi taraf\u0131ndan i\u015fgal edilmesi, film end\u00fcstrisi de dahil olmak \u00fczere \u00fclkenin k\u00fclt\u00fcr\u00fc \u00fczerinde derin bir etki yaratt\u0131. Bu d\u00f6nemde film yap\u0131mc\u0131lar\u0131, yarat\u0131c\u0131 \u00f6zg\u00fcrl\u00fcklerini k\u0131s\u0131tlayan ve ger\u00e7ek bir derinlik veya karma\u015f\u0131kl\u0131\u011fa sahip hikayeler anlatmay\u0131 zorla\u015ft\u0131ran kat\u0131 sans\u00fcr kurallar\u0131n\u0131 kullanmak zorundayd\u0131. Bu durum, siyasi yorumlardan ziyade ka\u00e7\u0131\u015fa odaklanan melodram ve komedilerin yan\u0131 s\u0131ra yo\u011fun propaganda i\u00e7eren bir dizi filmin ortaya \u00e7\u0131kmas\u0131na neden oldu.<\/p><iframe  src=\"https:\/\/www.youtube.com\/embed\/sb9Ak2218eM?theme=dark&amp;autoplay=1&amp;autohide=0&amp;cc_load_policy=1&amp;modestbranding=1&amp;fs=0&amp;showinfo=0&amp;rel=0&amp;iv_load_policy=3&amp;mute=0&amp;loop=1\" width=\"400px\" sandbox=\"allow-forms allow-scripts allow-pointer-lock allow-same-origin allow-top-navigation\" allowfullscreen=\"allowfullscreen\"><br \/><\/iframe><\/div>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n\n\n<blockquote>\n<p>Ancak sans\u00fcre ra\u011fmen baz\u0131 G\u00fcrc\u00fc sinemac\u0131lar \u00e7atlaklardan ge\u00e7meyi ve Sovyet y\u00f6netimi alt\u0131ndaki hayat\u0131n ger\u00e7eklerini anlatan eserler \u00fcretmeyi ba\u015fard\u0131lar. Bu filmler genellikle bask\u0131 ve e\u015fitsizlik gibi temalar etraf\u0131nda \u015fekillenir ve bu fikirleri daha soyut bir \u015fekilde ifade etmek i\u00e7in s\u0131kl\u0131kla s\u00fcrrealizm veya b\u00fcy\u00fcl\u00fc ger\u00e7ek\u00e7ilik unsurlar\u0131n\u0131 i\u00e7erir. Kira Muratova&#8217;n\u0131n Asthenic Syndrome (1989) ve Tengiz Abuladze&#8217;nin Repentance (1984) adl\u0131 eserleri \u00f6rnek olarak verilebilir; her iki eser de G\u00fcrcistan&#8217;daki Stalinist y\u00f6netimin sonu\u00e7lar\u0131n\u0131 ele al\u0131r.<\/p>\n<\/blockquote>\n<p>Di\u011fer G\u00fcrc\u00fc sinemac\u0131lar da tarihi konularla ilgili filmler \u00e7ekerek veya b\u00fcy\u00fck \u015fehirler yerine k\u0131rsal topluluklara odaklanarak sans\u00fcr\u00fc a\u015fman\u0131n yollar\u0131n\u0131 buldular. Otar Ioseliani belki de en \u00e7ok G\u00fcrcistan&#8217;daki k\u0131rsal ya\u015fam\u0131 konu alan \u015fiirsel filmleriyle tan\u0131n\u0131r. 1969 yap\u0131m\u0131 April filminde yak\u0131n k\u00f6ylerde ya\u015fayan ve oyuncu olmayan bir topluluk rol alm\u0131\u015ft\u0131r <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/goroda\/tbilisi\/\"   title=\"Tiflis\" data-wpil-keyword-link=\"linked\">Tiflis<\/a>. \u00d6rne\u011fin, Giorgi Shengelia&#8217;n\u0131n 1978 yap\u0131m\u0131 filmi B\u00fcy\u00fckannem (\u0130kinci D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda ge\u00e7er, o d\u00f6nemde \u00e7ok az G\u00fcrc\u00fc y\u00f6netmen yetkililerin cezaland\u0131rma korkusuyla bu t\u00fcr hassas konular\u0131 ele almaya cesaret edebilmi\u015ftir.<\/p>\n<p>\u00a0<\/p>\n<center><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><\/center>\n<p>\u00a0<\/p>\n\n\n<figure class=\"wp-block-pullquote has-small-font-size\"><blockquote><p>Bu filmlerin hepsi bir y\u0131k\u0131m duygusunu payla\u015f\u0131yor &#8212; hepsi Sovyet y\u00f6netimi alt\u0131ndaki ya\u015fam\u0131n ger\u00e7ekli\u011fini sans\u00fcrc\u00fcler veya yetkililer taraf\u0131ndan belirlenen \u00e7ok fazla s\u0131n\u0131r\u0131 a\u015fmadan aktarmay\u0131 ba\u015far\u0131yor. Bu durum \u00f6zellikle G\u00fcrcistan&#8217;\u0131n 1991 y\u0131l\u0131nda Rusya&#8217;dan ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 ilan etmesinden bu yana ge\u00e7erli; film yap\u0131mc\u0131lar\u0131 art\u0131k h\u00fck\u00fcmet yetkililerinin tepkisinden korkmadan siyasi a\u00e7\u0131dan hassas konular\u0131 ele almakta \u00e7ok daha \u00f6zg\u00fcrler. Son yirmi y\u0131lda, G\u00fcrcistan&#8217;\u0131n Rusya&#8217;dan ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n\u0131 kazanmas\u0131n\u0131n getirdi\u011fi yarat\u0131c\u0131 \u00f6zg\u00fcrl\u00fck sayesinde, \u00e7a\u011fda\u015f G\u00fcrc\u00fc film sahnesi giderek daha \u00e7e\u015fitli hale geldi, daha \u00f6nce hi\u00e7 olmad\u0131\u011f\u0131 kadar \u00e7ok kad\u0131n y\u00f6netmen istihdam etti ve toplumdaki az\u0131nl\u0131k temsilini art\u0131rd\u0131.<\/p><\/blockquote><\/figure>\n\n\n<h2 id=\"\u0418\u0437\u0443\u0447\u0435\u043d\u0438\u0435_\u043d\u0430\u0441\u043b\u0435\u0434\u0438\u044f_\u0441\u043e\u0432\u0435\u0442\u0441\u043a\u0438\u0445_\u0434\u0440\u0430\u043c\u0430\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u0445_\u0444\u0438\u043b\u044c\u043c\u043e\u0432,_\u0441\u043d\u044f\u0442\u044b\u0445_\u0432_\u0413\u0440\u0443\u0437\u0438\u0438\">G\u00fcrcistan&#8217;da Yap\u0131lan Sovyet Drama Filmlerinin Miras\u0131n\u0131 Ke\u015ffetmek<\/h2>\n<p>G\u00fcrcistan, Do\u011fu Avrupa ve Bat\u0131 Asya&#8217;n\u0131n kesi\u015fti\u011fi noktada yer alan k\u00fc\u00e7\u00fck bir \u00fclke. G\u00fcrcistan, uzun tarihi boyunca pek \u00e7ok imparatorlu\u011fa, i\u015fgale ve sava\u015fa sahne olmu\u015f, bunlar\u0131n hepsi de bu gururlu \u00fclkenin k\u00fclt\u00fcr\u00fc ve insanlar\u0131 \u00fczerinde iz b\u0131rakm\u0131\u015ft\u0131r. Bu miraslar aras\u0131nda, eski Sovyet cumhuriyetlerinden \u00e7\u0131kan en unutulmaz filmlerden baz\u0131lar\u0131n\u0131 \u00fcreten zengin bir sinema gelene\u011fi de var.<\/p>\n<p>Rus sinemas\u0131n\u0131n G\u00fcrc\u00fc sinemas\u0131 \u00fczerindeki etkisi, 1920&#8217;lerde Sergei Eisenstein, Vsevolod Pudovkin ve Yakov Protazanov gibi y\u00f6netmenler taraf\u0131ndan \u00e7ekilen ilk sessiz filmlere kadar uzanmaktad\u0131r. Bu ilk film yap\u0131mc\u0131lar\u0131, daha sonra G\u00fcrc\u00fc sinemas\u0131yla yak\u0131ndan ba\u011flant\u0131l\u0131 hale gelen benzersiz bir g\u00f6rsel tarz\u0131n yarat\u0131lmas\u0131na yard\u0131mc\u0131 oldular. Bu tarz genellikle hem Sovyet propaganda filmlerinin (\u00f6rne\u011fin g\u00f6rkemli kamera hareketleri) hem de klasik Hollywood y\u00f6netmenlik tekniklerinin (\u00f6rne\u011fin yak\u0131n \u00e7ekimler) unsurlar\u0131n\u0131 i\u00e7eriyordu.<\/p>\n<p>\u00a0<\/p>\n<center><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><i class=\"fas fa-mountain-sun fa-3x\" aria-hidden=\"true\"><\/i><\/center>\n<p>\u00a0<\/p>\n<p>G\u00fcrcistan&#8217;da \u00e7ekilen ilk uzun metrajl\u0131 drama 1933 y\u0131l\u0131nda g\u00f6sterime giren Song of Georgia&#8217;d\u0131r. Y\u00f6netmen Joseph Heifetz&#8217;in tarihi destan\u0131, b\u00f6lgenin b\u00fcy\u00fck b\u00f6l\u00fcm\u00fc Mo\u011fol kontrol\u00fc alt\u0131ndayken, on ikinci y\u00fczy\u0131l G\u00fcrcistan&#8217;\u0131nda Kral David IV&#8217;\u00fcn iktidara y\u00fckseli\u015fini anlat\u0131yor. G\u00fcrcistan ulusal sinemas\u0131n\u0131n ilk \u00f6rneklerinden biri olarak kabul edilen film, muhte\u015fem g\u00f6rsel efektleri, g\u00fc\u00e7l\u00fc performanslar\u0131 ve duygusal derinli\u011fiyle b\u00fcy\u00fck be\u011feni topluyor.<\/p>\n\n<p>Bundan sonra G\u00fcrc\u00fc sinemac\u0131lar dramalar\u0131nda a\u015fk, aile hayat\u0131, politika ve sosyal sorunlar gibi \u00e7a\u011fda\u015f temalar\u0131 ke\u015ffetmeye ba\u015flad\u0131lar. Rezo Chkheidze&#8217;nin 1967 yap\u0131m\u0131 filmi Kvirike III, sava\u015f zaman\u0131nda \u00fclkesine ya da ailesine sad\u0131k kalmak i\u00e7in m\u00fccadele eden gen\u00e7 bir idealistin hikayesini anlat\u0131r. Georgi Shengelai&#8217;nin G\u00fcrcistan&#8217;\u0131n k\u0131rsal kesiminde ya\u015fayan iki k\u0131z karde\u015f hakk\u0131nda 1971 yap\u0131m\u0131 \u015fiirsel dram\u0131 Giorgobishte; Otar Ioseliani&#8217;nin eksantrik bir sanat\u00e7\u0131 hakk\u0131nda 1975 yap\u0131m\u0131 komedisi Aprilis Ersad; Tengiz Abuladze&#8217;nin 1983 yap\u0131m\u0131 alegorik ba\u015fyap\u0131t\u0131 Monanieba; Levan Zakareishvili&#8217;nin Sovyet sonras\u0131 d\u00f6nemde yoksulluk ve \u015fiddet i\u00e7inde b\u00fcy\u00fcyen iki gen\u00e7 k\u0131z hakk\u0131nda 2013 yap\u0131m\u0131 sosyal dram\u0131 In Bloom <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/goroda\/tbilisi\/\"   title=\"Tiflis\" data-wpil-keyword-link=\"linked\">Tiflis<\/a>. <\/p>\n<center><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><span class=\"fas-fa-mountain-sun-fa-3x\"><i class=\"fa-regular fa-star fa-3x\"><\/i><\/span><\/center>\n<p>Bu filmler, G\u00fcrc\u00fclerin kendi k\u00fclt\u00fcrel ba\u011flamlar\u0131nda kendilerini nas\u0131l g\u00f6rd\u00fcklerini anlamak isteyen herkes i\u00e7in mutlaka g\u00f6r\u00fclmesi gereken filmlerdir &#8212; \u00f6zellikle de kendilerini yabanc\u0131 egemenli\u011fi alt\u0131nda bulduklar\u0131 veya ekonomik zorluklarla kar\u015f\u0131la\u015ft\u0131klar\u0131 bir d\u00f6nemde. <a class=\"wpil_keyword_link\" href=\"https:\/\/georgia-gruzia.com\/goroda\/\"   title=\"Onlar\" data-wpil-keyword-link=\"linked\">Onlar<\/a> Ayr\u0131ca G\u00fcrc\u00fc sinemac\u0131lar\u0131n klasik y\u00f6ntemleri kullanarak bug\u00fcn sadece anavatanlar\u0131nda de\u011fil, t\u00fcm d\u00fcnyada ge\u00e7erlili\u011fini koruyan benzersiz vizyonlar yaratmak i\u00e7in nas\u0131l kulland\u0131klar\u0131na dair de\u011ferli bilgiler sunuyor.<\/p>\n\n<p class=\"wp-block-tag-cloud\">\u041f\u043e\u043a\u0430 \u043d\u0435\u0442 \u0441\u043e\u0434\u0435\u0440\u0436\u0438\u043c\u043e\u0433\u043e \u0434\u043b\u044f \u043f\u043e\u043a\u0430\u0437\u0430.<\/p>","protected":false},"excerpt":{"rendered":"<p>G\u00fcrcistan hakk\u0131nda Sovyet filmleri G\u00fcrcistan&#8217;da Yap\u0131lan Sovyet Filmlerine Genel Bak\u0131\u015f: G\u00fcrc\u00fc K\u00fclt\u00fcr\u00fc ve Tarihine Retrospektif Bir Bak\u0131\u015f Sovyet otoritelerinin G\u00fcrc\u00fc sinemas\u0131 \u00fczerindeki etkisini \u00fcnl\u00fc filmlerden bir se\u00e7ki arac\u0131l\u0131\u011f\u0131yla ke\u015ffetmek G\u00fcrcistan hakk\u0131ndaki en iyi Sovyet filmlerinin arkas\u0131ndaki \u00fcnl\u00fc y\u00f6netmenler On y\u0131llar s\u00fcren siyasi \u00e7alkant\u0131lar Sovyet d\u00f6nemi G\u00fcrc\u00fc sinemas\u0131n\u0131 nas\u0131l etkiledi? G\u00fcrcistan&#8217;da \u00e7ekilen Sovyet dramatik filmlerinin miras\u0131n\u0131 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":76690,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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hakk\u0131nda Sovyet filmleri G\u00fcrcistan&#8217;da Yap\u0131lan Sovyet Filmlerine Genel Bak\u0131\u015f: G\u00fcrc\u00fc K\u00fclt\u00fcr\u00fc ve Tarihine Retrospektif Bir Bak\u0131\u015f Sovyet otoritelerinin G\u00fcrc\u00fc sinemas\u0131 \u00fczerindeki etkisini \u00fcnl\u00fc filmlerden bir se\u00e7ki arac\u0131l\u0131\u011f\u0131yla ke\u015ffetmek G\u00fcrcistan hakk\u0131ndaki en iyi Sovyet filmlerinin arkas\u0131ndaki \u00fcnl\u00fc y\u00f6netmenler On y\u0131llar s\u00fcren siyasi \u00e7alkant\u0131lar Sovyet d\u00f6nemi G\u00fcrc\u00fc sinemas\u0131n\u0131 nas\u0131l etkiledi? G\u00fcrcistan&#8217;da \u00e7ekilen Sovyet dramatik filmlerinin miras\u0131n\u0131&hellip;","_links":{"self":[{"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/posts\/76689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/comments?post=76689"}],"version-history":[{"count":0,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/posts\/76689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/media\/76690"}],"wp:attachment":[{"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/media?parent=76689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/categories?post=76689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/georgia-gruzia.com\/tr\/wp-json\/wp\/v2\/tags?post=76689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}